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DLA-RS10 Projector HighlightsBest black level performance of any home theater projector we've tested except for JVC's higher end RS20 and the older RS2
Good sharpness, but just average for 1080p projectors
Very good shadow detail Out of the box picture is very good, better in fact than the RS20's. Calibration is definitely recommended to get the most out of this projector
Really good post calibration color accuracy
Excellent placement flexibility
Well above average brightness in best mode for movie watching
Brightest mode, isn't much brighter than "best" mode, barely average overall
Full support for HDMI 1.3b with 24 fps, Deep Color...
A very good value for those seeking a higher level of performance than most 1080p projectors can deliver
Projector Specs for the JVC DLA-RS10
MSRP: $4995. Technology: LCoS
Native Resolution: 1080p (1920x1080)
Brightness: 1000 lumens
Contrast: 30,000:1
Zoom Lens ratio: 2:1 (motorized)
Lens shift: Vertical and Horizontal (motorized)
Lamp life: 2000 hours "longer in standard lamp mode" (low power)
Weight: 24.3 lbs. (10.8 Kg)
Warranty: 2 Year Parts and Labor
DLA-RS10 Projector - Special FeaturesThe JVC DLA-RS10 really isn't about special features, but rather pure performance, so not much to report here. Like virtually all newer projectors the JVC RS10's two HDMI inputs are 1.3 compliant, supporting 24fps, Deep Color and CEC.
The RS10,
just a few other projectors, including the Sanyo PLV-Z3000 and PLV-Z700 has a motorized door that closes automatically when the projector is powered down. That's a nice touch for keeping dust and spiderwebs off of the lens, but hardly rocket science.
Detail EnhancementThe RS10,
the RS20 has a Detail Enhancement feature in its sharpness menu, and that works very nicely. It takes a significant adjustment (ie. from default 0, to about 30 to 40, for it to make a noticeable difference, but using it, in addition to some sharpness adjustement, does provide a crisper looking image. Even with that, the very sharpest projectors (such as the InFocus IN83) are still visibly a touch sharper when viewed side by side, but, it does make a visible improvement over the default settings, without the type of oversharpening ghosts around dark object edges when next to other areas much brighter, and vice versa. Be sure not to oversharpen to the point where that ghosting is visible, because that is the sign of false sharpness, and loss of fine detail. Please note, for our photo sessions, the sharpness was left at the default settings.
Heads up: The image below is from the Stargaze HD Blu-Ray DVD. Some really spectacular imagery on this disc, for those with an interest in astronomy or who simply
the beauty of such images.
Motorized Lens System - and use with Cinemascope wide screens
While a number of projectors have motorized focus and zoom, the JVC also has motorized veritical and horizontal lens shift. The reason for pointing this out is that it allows one capabiliity some of you might take advantage of. Let's say you are putting on a typical Cinemascope movie - 2.35:1 aspect ratio - you'll have the usual letterboxing at the top and bottom. You can take advantage of the motorized lens shift to drop the active part of the image (the movie) down so that the bottom of the picture is even with the bottom of your screen. If you have dark walls you won't see the dim lower letterbox on your walls. You'll still have one at the top, plus some empty screen up there as well, but dropping the movie down will probably place it better for viewing. In most rooms you won't be looking up as much.
The combination also means you can use the JVC with a 2.35:1 screen (if you have the right distance range for your screen), and zoom out when you want to watch standard HDTV or 16:9 movie content, as well as 4:3. Panasonic pitches this feature heavily on the PT-AE3000. The difference is that Panasonic let's you save the lens positioning, so you can switch back and forth with a single button. With the JVC, you'll be zooming in and out, each time you switch from the 2.35:1 aspect ratio, to the others. For those watching mostly movies, this is viable, as it would only take maybe 15 seconds to do the adjustment from the remote. The RS10 (
the Panasonic) also has internal support for an anamorphic lens, but for those wanting to go 2.35:1 Cinemascope on their screens, but tight on the cash to spring for a full anamorphic lens, this can allow them to start with the wider screen, use this feature, and later, if desired, get an anamorphic lens and sled.
